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There is a stretch of wall above the kettle in my kitchen that goes bare all summer and bothers me by September. This year I filled it with pumpkins. Printed ones. Burnt orange and cream, framed in whatever I had in the closet, hung in a crooked little cluster while the kettle steamed underneath.
First one I tried I printed off-center. The pumpkin sat way too high, a fat margin under it, and I did not notice until it was already in the frame. Out it came. I ran it through the paper cutter, trimmed the bottom and one side, and it sat fine after that. Just slower than it should have been. Measure twice, print once, all the wisdom I never use.
The other spot I leaned into is the stairwell, which is a tall awkward wall that swallows small frames, so the laser-cut pieces below earn their keep there. A few of these are files I actually printed and hung, and yes, some links are affiliate, so if you grab one I get a small cut at no cost to you. Here is what made the wall.
The Folk Art Pumpkin That Started The Whole Wall
This is the file that got me going. A pumpkin with folk flowers wound around it, the kind of thing that reads handmade even though I printed it on a tired inkjet at the kitchen table. The burnt orange in it matched the cream frame I already owned, so it went up first, right at eye level above the kettle.
I printed it on 110 lb cardstock so it would not buckle behind glass, and the heavier paper holds the color better. The flowers came out a touch warmer than the screen, more rust than orange, which I liked. My partner walked past it twice before noticing it was new.
One nitpick: the PNG has a transparent background, so the white you see behind it is just your paper. If your printer leaves a faint roller mark on a full bleed, like mine does, give it a small border and the mark hides in the frame.
A Cut-Out Pumpkin For The Wall You Cannot Frame
The stairwell needed something with weight, not another little print, and this laser-cut pumpkin and leaf piece did the job. I had a sheet of thin basswood cut at a maker space near me, sanded the edges, and leaned it on a nail.
If you do not have a laser, the file still works as a stencil shape. I traced one onto cream cardstock first to test the size against the wall before I committed any wood to it. Glad I did, because the first scale was tiny on that tall wall.
Nitpick: the leaf veins are fine lines, and on cheap wood they can splinter or char at the tips. Run a scrap pass first and slow the speed down. The cream basswood version held up better than the darker offcut I tried.
Sunflowers To Carry The Orange Down The Stairs
Pumpkins alone got a little same-y on the stairwell, so I broke them up with this sunflower bundle. Being a bundle, you get a handful of shapes, which let me size one big sunflower for the bottom of the stairs and two small ones climbing up beside the pumpkin.
The golden centers played nicely with the burnt orange, kept the whole run in the cream and rust family instead of going full yellow. I cut these from the same basswood, left a couple unfinished, and the raw wood against cream paint looked better than anything I would have paid for.
Nitpick: a bundle means a folder of separate files, so look before you cut. Two of the sunflowers are nearly identical at a glance and I wasted a board cutting the same one twice.
Line-Art Pumpkin, Skinny Black, For Contrast
This one is sold as a shirt design, but I never put it on a shirt. It is a clean line drawing of a pumpkin, just outline, and printed small in black it became the quiet frame in the cluster that let the orange ones breathe.
I printed it on plain cream cardstock, no color, popped it in a thin black frame, and hung it between two louder prints above the kettle. Costs almost no ink, which after the season I am running through, matters.
Nitpick: because it is a shirt file the lines are built bold for fabric, so blown up large it looks a bit heavy and marker-ish. Keep it small, 4×6 or under, and it stays elegant.
Another Outline Pumpkin To Make A Pair
Once the first line-art pumpkin worked I wanted a match, and this second outline file gave me a near-twin with a slightly different stem and curl. Hung side by side in matching black frames they read as a deliberate little set, which is a cheap trick for looking pulled together.
I kept both in black ink on cream, same as its sibling, so the kitchen wall has a small rhythm to it now. Print, frame, hang, done in an afternoon while the kettle did its thing.
Nitpick: the line weight on this one is a hair thinner than the shirt file, so if you pair them the way I did, the difference shows up close. Stand back and nobody notices, but I did, and now you will too.
Pumpkin, Lantern, Boots: The Whole Fall Mood In One Line
This file tucks a pumpkin next to a lantern and a pair of boots, all in the same single-line style, and it tells a little story without a single drop of color. I printed it for the spot right by the back door part of the stairwell, where the actual boots live, which made me laugh.
Burnt orange would have fought the line work here, so I left it plain black on cream and let it be the calm one. Light ink, fast print, propped in a frame I had nothing else for.
Nitpick: there is a lot going on in one drawing, so at small sizes the lantern and boots smush together. I sized this one up to 5×7 so each object had room, and that fixed it.
A Set Of Little Icons For The Gaps Between Frames
Every gallery wall has those awkward small gaps, and this icon set, pumpkin and scarf and leaf, filled mine. They are tiny single-line drawings meant to be used as a group, so I printed three on one sheet, cut them apart with the paper cutter, and floated them in little square frames.
The scarf icon was the surprise favorite. Such a small thing but it nudged the wall from straight autumn into sweater-weather, which is the feeling I was after over the kettle steam.
Nitpick: printed three to a page, the cut lines have to be dead straight or the icons sit off-kilter in square frames. I learned that from my off-center disaster earlier, so I scored a faint guide line before cutting this time.
Farmhouse Lettering When You Want Words On The Wall
Not every spot wants a picture. This is a farmhouse-style font, so it is letters, not a pumpkin shape, and I used it to print a short word in burnt orange to anchor the middle of the kitchen cluster. Spelled out the kind of plain autumn word you would expect and left it at that.
Because it is a font you type your own text, which I love, because I could match the exact width of the wall gap instead of forcing a fixed image to fit. Cream paper, orange ink, thin frame.
Nitpick: it is a display font, crisp big and mushy small, so the thin connecting strokes can drop out on a low-ink print. Print it large and crisp, or it turns into a blob. Mine almost did until I swapped the cartridge.
Pumpkins With A Fox In Them For The Softer Corner
The stairwell needed one warm, soft note among all the line work, and this woodland file, pumpkins with little animals, gave it. There is a fox in mine that my partner immediately claimed, so that frame is officially theirs now.
It is a PNG with real color, so I went back to 110 lb cardstock to hold the rust and cream without the paper warping. Printed full size, framed in plain wood, hung at the turn of the stairs where you catch it coming down.
Nitpick: a lot of fine fur and small detail means a quick draft print looks muddy. Bump it to the better print setting for this one, even though it drinks ink, or the fox loses its face.
A Faith-And-Pumpkin Bundle To Round It Out
This bundle pairs fall pumpkins with short faith lines, and since this article keeps wandering past my kitchen toward porches and church harvest tables, it earns a place. I printed one piece for a friend doing a harvest display at her church, and it slotted right in with the gourds and hay.
A bundle means several designs, so you can pick the one that fits your spot rather than being stuck with a single layout. The orange and cream in these matched my wall, which is why I grabbed it for myself too.
Nitpick: with multiple files at different proportions, some are square and some are tall, so check the dimensions before you size them for a matching frame set. I almost printed a square design into a 5×7 and chopped the wording.
Frequently Asked Questions
Where to find harvest festival decorations sims 4?
That is a Sims 4 question, and these are real-paper printables, so they will not load into your game. For in-game harvest items you want the Seasons pack and the build-mode catalog, or community custom content from Sims modding sites.
If you landed here wanting actual decor for a real wall though, you are in the right place. The files below print and frame for a physical autumn display, not a digital one.
Can I print these at home?
Yes, that is the whole point. I printed nearly all of these on a tired inkjet at my kitchen table, mostly on 110 lb cardstock so they sit flat behind glass. A home printer is plenty.
If yours is low on color ink, like mine always is by November, the line-art files print in plain black and barely sip ink. Save the color cartridge for the painted pumpkin pieces.
What file formats do these designs come in?
It is a mix. The painted pumpkin pieces come as PNG, which you just print. The wall-decor and sunflower pieces are SVG cut files made for a laser or cutting machine. One is a font, so you type your own word and print that.
The product titles tell you which is which. If you only plan to print and frame, look for the PNG ones. If you want to cut wood or vinyl, the SVG files are your friends.
Do I need a Cricut or Silhouette to use these?
Only for the cut files. The laser-cut and SVG pieces want a cutting machine or a laser, though I had mine cut at a maker space instead of buying a machine.
The PNG prints and the font need no machine at all, just a printer, paper, and frames you already own. So no, not for most of this wall.
Before You Print
My kitchen wall above the kettle is a crooked little crowd of pumpkins now, burnt orange and cream, and the stairwell finally holds something on that tall stretch that used to echo. None of it cost much. The most expensive part was the wood for the cut pieces, and even that was scraps.
If you take one thing from my off-center first try, score a guide line and check your margins before you commit the good cardstock. I trimmed my way out of it with a paper cutter, but you can skip that step and have your afternoon back.
